Musical Semiotics Revisited
Musical Semiotics Revisited
  • Išparduota
Musical semiotics, as a new discipline within musicology and general semiotics, has become in recent years an internationally accepted paradigm. This anthology evidences the enthusiastic reception of musical semiotics, as shared by young scholars in that field. The present essays give a rich global perspective on the new science, ranging from musical performance, absolute music to programs, from liturgy to music videos, from chora to icons, from Wagner to Gubaidulina.
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  • Autorius: Eero Tarasti
  • Metai: 2003
  • Puslapiai: 669
  • ISBN: 9789525431032
  • Formatas: 14,5 x 20,5 x 3,5 cm, minkšti viršeliai
  • Kalba: Anglų

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Musical semiotics, as a new discipline within musicology and general semiotics, has become in recent years an internationally accepted paradigm. This anthology evidences the enthusiastic reception of musical semiotics, as shared by young scholars in that field. The present essays give a rich global perspective on the new science, ranging from musical performance, absolute music to programs, from liturgy to music videos, from chora to icons, from Wagner to Gubaidulina.

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Musical semiotics, as a new discipline within musicology and general semiotics, has become in recent years an internationally accepted paradigm. This anthology evidences the enthusiastic reception of musical semiotics, as shared by young scholars in that field. The present essays give a rich global perspective on the new science, ranging from musical performance, absolute music to programs, from liturgy to music videos, from chora to icons, from Wagner to Gubaidulina.

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